Intr.Version      Avia Gardner : More then tongue can tell (US,2006)****

This release of Avia Gardner very much is led by the strong instrumental contribution, which carries the songs and vocals.

'Avia Gardner' is based upon a character seen in an old photograph which comes to life through the creative minds of a core duo, Jenna Robertson (vocals) and Mitchell Akiyama (sound-sculpting and soundcarpet of arrangements), with on this release the help of Ellie Nimevoski on violin (3), Matthew Akiyama on drums (5), Vitaminsforyou on sax (5) -(see another review of his here)- , Tony Boggs on remixes (on 6 & 7).

Part of the instrumental carpet is well produced three-dimensional space-effects on the arrangements mixed with a bit of deliberate LP-noise effects on some sounds, of electric bass, sax, guitars, brushed drums and percussion and a little bit of programmed percussion, with cello, banjo, piano and keyboards (and Rhodes piano), in minimal multiple layers which evolve naturally in space more than being a looped rhythm, give much ambience of chamber-ambient nature, and a few environmental recordings like a kindergarten and traffic on 6. The songs themselves are sung by a Vasthi Bunyan whispery and breathy soft folk voice. Tony Boggs contribution uses cut and split tape-alike computer and CD-recorded based remixes, luckily not disturbing with this in fact slightly annoying used effect.

Info & audio : http://www.myspace.com/aviagardner
Label : http://www.intr-version.com/
Other reviews : http://www.dustedmagazine.com/reviews/2653
& http://www.themilkfactory.co.uk/reviews/agdmais_tonguefriends.htm
& http://www.alien8recordings.com/store/releases/more-than-tongue-can-tell
Article : http://www.montrealmirror.com/2005/120805/music5.html
singer-songwriter/chamber-sculputural sounds/acidfolk song music presents
Avia Gardner

CD (2005), CD (2006)
go back to the singer-songwriters index
or psychedelicfolk index
or go back to the general index









Intr.Version      Avia Gardner : Mill Farm (US,2006)***°

On this release, the songs come much more to the fore. The accompaniment is no longer a sonic sculpture which carries the music and songs ; acoustic guitar (-THE instrument of today to accompany songs-) lead them most, more often in combination with arrangements of amplified guitars or occasional other stringed instruments and a very colourful use of percussion, often of a found-sound nature, with occasional programmed rhythms (electronically processed, or like collages of the coloured percussion), and occasional texturing drones of strings or perhaps keyboards, not easy to find out it’s source. These arrangements are playful, and always with an ear to sounds, and feeling for rhythm to benefit the songs. More tracks are with distorted voice, with an occasional indie-folk-rock nature. On other clear voice songs Jenna’s voice is less whispery-ethereal as the previous album, which in fact suits the song expressions well. I only did not give it time yet to get deeper into the lyrics. I bought the albums (I just risked them on a sell-out), so I will skip the extra effort this time. Enjoyable. Personally the previous album still is my favourite. Like the previous album this is a stitched paper digipack.

Info & audio : http://www.myspace.com/aviagardner
Label : http://www.intr-version.com/
Other review (with audio) : http://www.boomkat.com/item.cfm?id=31331
& http://crosstalkchicago.com/featured/pages/INTR018AviaGardner.htm