RecordPlex Prod.Bob Theil : So Far…(UK,1982)****°

I already told the story of how I discovered this album, met Bob Theil, and how the interest in especially this album had finally reached the collector’s ears (see my introduction further up). The interest grew especially rapidly after Peter Bonner got in contact with Bob Theil through the website. The ball kept on rolling when Hans Pokkora suddenly mentioned this album with 4 stars and a special recommendation, with a value of 300 pounds. I even hear crazy stories about two collectors enthusiastically listening to the complete album hear trough an international phone line during a call.

The reissue clears up a few missed details. Steve Hall was the producer for this album. He definitely had his share in making the sound so wonderful. Cutting engineer Nick Webb (credited on the Stormcock album of Roy Harper) also was one of those people who knew the value of the music involved.

I realize now there aren’t too many skilled 12-string guitarists who also are good songwriters. As an introduction to people I prefer to compare and desribe the music of Bob Theil as a combination of the better Roy Harper, the first Perry Leopold album, and some earlier Al Stewart. Bob Theil, knowing the best English literature, having an eye for the world and having an awareness of social & philosophical patterns that people tend to follow, it’s no wonder Bob Theil’s texts have some deep connections. I guess this has evolved through the years.

Hearing back the remastered CD version now, I realize even more what made the production so successful. Also the band gave a wonderful contribution.  Just hear the electric guitar solo from James Litherland (Coloseum/Mogul Trash/Marian Segal and Jade/Leo Sayer) on “One Day, today or tomorrow”, or Jim Covington on “So Far”. The complexity of Bob’s 12 string guitar picking can be heard on songs like “Moments lost” and on one of my favourites of the album, the instrumental 12-string track, “Wind in the Wires””. Another incredible beauty for me is “Who are we now?” (MP3) with Bob’s voice first in more bass registers, then also with high pitched peeks, again with his 12 string-accompaniment. This kind of relaxed singing in such songs, letting his voice express the underlying, also being emotionally moved by the values of the content, is something Bob Theil will develop even more throughout the years, with various similar beautiful compositions like this one. The instrumental ending on it, is also another example of the fine production. A true highlight ! Also from the last 8’28” track, “December 1918” I can say very similar things, recalling the best Roy Harper.

As bonus track the EP directly recorded from the single is added. I didn’t have much interest in the early days for it, but now when I hear it back I still think especially “Post Mortem Blues”, “Moments Lost” & “Westway” are worth as much investigation. PS. the single was recorded shortly before the LP, and is not from 1974, as incorrectly mentioned in the booklet.

For the collector’s interested: Bob Theil recorded a second album, with the same band & producer, but it was never released. He is now still looking for someone to release it !

More info : http://www.bobtheil.be/html/disc_sofar.htm & audio : http://psychasthenia.org/239
PS : Mark Brezicki (Big Country, Fish, now with Procul Harum)

Vinyl Japan did a 500 copies edition reissue, remastered from previous cd/vinyl recording, was quickly sold out. A few left over copies of this can be purchased  through me for 16 euros only or through Pete Bonner in UK  !  The LP now is reissued by Guerssen Records on a double LP with bonus tracks. Additional LP review :


Guerssen Rec.      Bob Theil : So Far... -2LP- (UK,1980-1986)****°

Guerssen provides the kind of reissues that collectors and musicians are dreaming and wishing for. Bob Theil’s first album has not only been re-released with a remastered improved ! sound to the already brilliant original album, but has an exact replica of the cover, has all the liner notes (from the first issue as well as the previous cd reissue) and lyrics included, and has all the participating band members mentioned (except for the EP : Paul Martin, drums and R.K.Burgess, guitar). Additionally a second LP has been added with tracks that have the remastered EP on one side, which was originally published two years before (1980), and presents also tracks that show how there was some kind of continuum during the next years.
The unreleased second album, “Songs from the Margin” was done soon after the “So Far” sessions, and had a similar quality, although more songs on the last one are made for a singer/songwriter folk flavour. When checking the original masters, it seemed that the multi-track tape was disintegrating and could hardly be used to optimize the rough demo mix. I think it was necessary to show collectors that there was such an album ready.
A third planned album, “Bridging the Silence” also was done. The combination of these projects became the “Bridging the Slilence” CD, (now deleted), a redone and remixed compilation with a more generally used ‘80s visualisation with more keyboard added (the keyboards on the “So Far” album were entirely analogue, while later tracks, were done with some of the more expensive newer models, like before, in a more “symphonic” way of arrangement).

I already reviewed the reissue of the first LP (on CD). The sound of this 1982 LP was excellent, yet the for the first time remastered version on this reissue on vinyl is more like amazing. There’s great depth in the rhythm section, bass playing and so one as before, making the album for me sound even more essential.

For those who only know the first LP there will be plenty of surprises. While I thought at first the EP had less interesting versions than the LP, the remastered version (restored also in speed), has restored also the actual potency of the songs, making it now a perfect quintet, with more rocking and quieter moments. Further on there’s a bit of keyboard experiment, from “Nice and easy does it” over to “There wasn’t time” bringing more variation and new aspects to them. The last track is a great harder rock version of Post Mortem Blues. In fact, with this second LP, showing in the best way, also the more rock side of Bob Theil, I realise that until I listened to this second LP, it is another form of expression from Bob Theil, which I have underestimated.

PS.  I met a few people at a music fair lately, and they were telling me the hype and price value for Bob Theil’s album (the full price of an original) in this case is absolutely worth it. I am sure now, that with this re-release those who did not hear it yet will now find out why this has been said. Be quick ! The limited edition of 500 is almost sold out !

Audio : "Who are we now?", "december 1918", "moments lost", "post mortem blues",
"reflections", "yesterdays" & on http://psychasthenia.org/239
Label info, entry and description : http://www.guerssen.com/productes.html?prod=7823
I once discovered the first full LP from Bob Theil some years back. It was something special. Beautiful 12string-guitars and sparse other instruments (by Bill Power, Jimmy Litherland -I noticed Jimmy Litherand also played with Marian Segal-, Jim Covington, Jed Marchant, Mark Brezicki (Big Country, Fish), Steve Hall), and indepth songs. The music reminded a bit in mood at Roy Harper's from around the 'Stormcock' period, but much more sparsly arranged. I asked if the seller knew he had made even more. At that moment Bob came into that shop (where he had left some of his albums before). I was happy to meet him, and I was honoured that I could arrange a full live radioprogram with Bob Theil's released and unreleased songs. We remained friends ever since. Later he started his own radioprogram at radio Centraal about singer-songwriters. He writes now most of the reviews for the singer-songwriter's section within my webpages. Now and then our 2 radioprograms cooperate whenever I want to play a selection of better singer-songwriters.

Bob later changed his name into Lawrence Woolfe with reference to some English literature. Bob's texts are always first class writings.

Bob's second LP, "Songs from the margin'" was never released. Only one CDR was given to a friend. We'll still looking for a label to release it. It's as good as "So Far" and dates from the same period !!

Bob's style has been described as being Acid Folk, the same way the first album of Perry Leopold has been described as such. There are indeed style references between both albums.

You can contact Bob Theil through me

Remaining copies (with single) and cd reissue are available through Peter Bonner : peter.bonner@virgin.net or www.Psychotronrecords.com or through http://freespace.virgin.net/peter.bonner/rarerecords.htm

The CD reissue of "SO FAR" (with EP as bonus tracks) was firtst released by Recordplex. (now sold out at source). Contact : recordplex@msn.com
A new reremastered edition on LP with bonus LP of outtakes was published by Guerssen in Spain (now also sold out). A new reissue is expected by Akarma soon.

Peter Bonner's description : BOB THEIL - SO FAR (UK PRIVATE 1982) :

"The BEST UK private pressing from the last 30 years, most tracks written in the 70's and sounds 70's, brilliant original songs with Floyd styled electric leads and backing band, I traced him and have a few original copies to sell (to benefit him also), These original copies also come with a 5 track 7" EP that was made 2 years earlier, which is also totally stunning - EVERY customer who has had the LP have raved over it. Backing musicians include Jimmy Litherland (Colloseum / Jade etc), Mark Brezicki (now with Procul Harum). The album is also in the new Hans Pokora book (4001) and has 4 "stars" (Value £300+) and a recommendation symbol ! Complete money back guarantee that you will love it. M/M £180

My own review :

review CD reissue, review 2LP reissue
single : 1982
singer-songwriter/ 12-string guitarist
BOB THEIL

The discovery, Biography, CD/2LP1 reissue (1982), CD2 reissue (1997/re.2007), LP2 (2003)

LP : 1982
Bob Theil in Antwerp, 2003


Similar artist who received reissues : Perry Leopold !!

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Check Guerssen Records soon for a CD reissue of "So Far". Guerssen Records description :

"Everyone seems to agree this is the best UK private pressing from the last 30 years,  and that's a big thing! Released in 1982 but most songs written in the 70s and sounding like that...in fact the 5 bonus tracks were recorded in the mid 70s.
This is surely one of the all- time best folk- psych albums,  with amazing songwriting and tremendous Floyd styled electric leads and backing band. Stunning musicianship,  line- up features Jimmy Litherland (Colosseum,  Jade) and Mark Brezicki (now with Procol Harum).
How this incredible piece of art could have been ignored is something you will never understand. Fortunately,  Bob Theil is getting recognition now and gets his album reissued on CD format,  including the whole album with original artwork,  plus 5 bonus tracks from a way rarer EP released a couple of years before the album. Believe me guys,  you NEED this album more than you know!!!"



















new release, The Ghent Sessions (1997/1998) is reviewed on http://singersong.homestead.com/reissue3.html#anchor_110










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Private         Bob Theil : Playing it all for laughs (SC,2003)***'

I heard the performance Bob Theil gave when introducing the new LP. It was, like I'm used to with Bob when he's at his ease, a great performance, guitar and voice only, with additional flute on some tracks. And an incredible performance of an old Al Stewart song (-"I'm falling"-) and a rock song by Jethro Tull.

A friend of mine said the sound of the LP is different. It has a particular sound that unfolds its concept during the first listen. Where the music has been performed live mostly in a very relaxed way here the music on the first few tracks of the album are performed with a bit more pace and come over more reactively straight at you, with acoustic guitar, voice, sparse additional arrangements, and somewhat light (pop) rock drums. I sense an attitude to convince, now or never, with a certain underlying anger/frustration that it took more than 20 years for another LP to come out. It was only after the second song that I realized how this concept was musically performed. A life's experience can sustain a person's integrity when that person has fought for that to be recognized, although the world functioning differently leaves certain marks. The vision can remain intact. The opportunity to unfold again after so many years is now here. From that first side I like especially the arrangements on "What we lose (+ what we have)", with second electric guitar, keyboards, drums. Also the last track on that side, "Just the way it feels" has really nice twinkling piano combined with acoustic guitars and drums. On the second side Bob Theil starts relaxed again in a beautiful finger picking pastoral style and a lower voice on "Legacy". There are also great arrangements on "Small Words" with something that sounds like violin arrangements, and drums, with a nice second guitar added. Underneath it is an intellectually gifted vision of the world that here resulted in a calm and introspective melancholy. "Looking at you" is another beauty, with a nice smooth rhythm and fine arrangements (electric guitars, drums). "Beneath the skies" is again with straight forward rhythm, and a (little amused) rock anger. I would have liked some angry guitars too, and more complex drumming. "Cast" sounds like the old LP Bob Theil, with great duo electric guitar arrangements by Bert Leysen and acoustic arpeggio's by Bob Theil. Last track "Cynics smiles" has the earlier mentioned melancholy again of someone who sees more of what happens in the world and with people, than the average person, a view from a person who keeps his decency in each situation. A perfect finger picking closing song with something that sounds like insects at the back. (-I heard afterwards these were actually crickets-).

Beside the musical aspects I just mentioned, Bob Theil wouldn't be Bob Theil without attention to the words.

The opener "Playing it all for laughs" and the closing song "the cynics smile" could be seen from various perspectives. How many people, care and really keep themselves concentrated, taking responsibility for their views on the world and other peoples, including persons with that view and empathy, like Bob Theil ?

The headline news expresses passing moments, and our attention and fear of what could destroy our fast living daily existence is always present, where there's little attention paid to what should remain as the core. Similar ideas are expressed in "Passing us by". People might flee from true values even more through the net, and become influenced by propaganda. An attitude driven by integrity is as easily forgotten or neglected. Similar underlying thoughts I see expressed in "What's it to you blues" and "Nothing to hide". Information about 'quantities' is what has been spread, through mobile phones and the net. Such similar remarks are expressed in "What we lose(=what we have)" and "Just the way it feels". The whole first side of the album seems to me more about those fleeting passing moments being with integrity, after all these confronting situations pass us by, yet struggling to remain intact. At a moment when the 'buzzy bee' attention has expressed its fundamental existence and some remaining opening is there for other expression, Bob Theil can be the sage to sing calmly how we can be aware of any "Legacy" that's left to us. "Small words" can make a difference ! "Looking at you (love=alive)" can make you feel alive. A certain anger for more, and for more than what is expressed too easily in our daily existence, is in "Beneath these skies". *  What couldn't survive in this process, is expressed in "Cast" in a personal way, leaving many people pondering, and leading all too often to cynicism as a cloak of convenience- "The cynics smile".

I'm glad Bob Theil has made another LP. More projects are to follow, sooner rather than later. The price of this LP is 20 euro. People can contact me for it. (I also still have one mint copy of "So Far")

* Bob Theil says "it really contains a number of real life experiences condensed to what I hope is an amusing tale of people searching for love without wanting to try too hard ; they fall back too easily into the instantly recognisable traits of needy false/superficial bonhomie. The chorus is really my voice whilst the verses are a reportage on a number of incidents".

BOB THEIL 's
personal introduction :

"I am required to say a few words about myself.
This is a task which fills me with unease and as to the value
of attempting a synopsis of my background, influences, etc...
well, I have my doubts. Essentially, I would prefer to let my
songs and music speak for me.

Some points of reference are undoubtedly required however,
hopefully as a point of entry to generate curiosity and interest.
It has been said about my music that there is a strong Celtic
influence in sounds and images, which reflects my Scottish
upbringing. This has never been a conscious decision on my
part, so it must spring from a natural instinctive
relationship with my roots.

Of course there is a wider world to explore other than one's
own small corner of national identity and my music and songs
hopefully convey this.
In a cultural climate of, on the one hand ease of consumption,
hype and homogenised commercial banality, and on the other
hand the centuries old traditions of literature, music,
philosophy and academic endeavour, is there any way of
bridging the gulf between all or nothing?
To speak or remain silent, or when we speak how little or how
much to express and to whom do we address and commune with in
our allotted and restricted time?
How long do our attention spans allow?
what of our appetites for attentive absorption ?
How often does the art of conversation even remotely come
close to bridging the gulf between something or nothing?
The art of song as a medium of expression is, I feel, a hugely
underrated one. But thankfully there are still a few who
follow their own creative instinct irrespective of ephemeral trends.
So here I am, one voice amidst many. Whether the mood of my
writing is light or dark, I hope it contains something of
value beyond merely the superficial.

Lawrence Woolfe


Another introduction :

"Scottish born Lawrence Woolfe is a singer-songwriter guitarist very much in the tradition of British exponents, such as Roy Harper, AI Stewart, Michael Chapman and Bert Jansch who filled the folk clubs and concert halls in the early seventies.

Entirely self-taught as a guitarist, he has developed his own distinct style on twelve-string acoustic guitar. His music, most of which originates from the 12 string acoustic/electric
guitar is an evocative mixture of Celtic atmospheres and intense lyrical images, sometimes with a folk flavour, at other times with a strong rock sound.

In song-writing terms, writers such as Joni Mitchell, Leonard Cohen,Bob Dylan and Neil Young are the gauge by which he sets his standards. The themes of Lawrence Woolfe's lyrics cover a wide range of subjects reflecting his passion for music, poetry, literature and the arts.

He completed his debut album So Far with the help of some experienced session musicians, including Big Country's Mark Brzezicki.

From this period onwards Woolfe concentrated on developing his songwriting and guitar playing whilst still doing recording sessions with a number of other folk rock musicians.
His CD Bridging the Silence, produced by drummer and percussionist Walter Mets (Sansavanna, Raymond van het Groenewoud, The Radios), was recorded mainly in London with a few overdub and mixing sessions in Belgium.

Guest musicians include Rick Aerts (The Bet, Raymond van het Groenewoud) whose electric guitar is featured on the single from the CD, AIl too many.

Since the release of Bridging the Silence Woolfe has been writing songs and poems. Two CD's worth of material has been recorded in London and Belgium and will be released in the near future. Some of the new songs have been conceived with an acoustic setting in mind, whilst others are very definitively rock-band orientated. He is currently working on a new acoustic project called Songs from the Ages."

(Koch Int.) Antwerp, 25 September 1993

Bob recorded a new LP called "Songs from the Ages'" for private release. Only 300 copies will be made. This release will feature Bob Theil on guitar and Jan Jansseuns (April Sky) on violin, and possibly Bert Leysen (Kinky Bing) on second guitar. There are only accepted a few reservations through me. At this moment this album is still unfinished.
Bob Theil now has his own homepage :
http://www.bobtheil.be
Vinyl Japan  Bob Theil : The Ghent Sessions -songs from the archives vol.2 (UK,1997-1998)****

While the conceptual statement for an artist’s vision on the changing times, “Playing it all for laughs” for many old fans and new listeners was perhaps too far away for them from the 80’s classic “So Far”, even when one must realize Bob Theil's style has not changed over the years. Perhaps a much better introduction to some of his repertoire, is this studio recording done somewhere between 1997 and 1998.

The recordings were originally meant as a demo for getting live gigs. It also features some violin from Philippe de Chaffoy (who had his own recording studio, where, since the 70s, some musicians like Patrick Conrad, Walter De Buck, recorded some album ; Philippe also worked with Roland quiet a long time) on the opening track, Dave Foster on bass, and also mando-strat, keyboard/cello arrangement on two tracks. The order of the Japanese edition is different from what was intended. The 4th take, "Nice and easy does it", with violin arrangement, is now the opener, which is a good alternative and introduction.

Many people were convinced that the core of Bob’s music does not really need much more than guitar and voice. “Lady don’t go” comes close to Roy Harper. “A moment’s Respite” is an alternative of guitar with keyboards to the way the Lawrence Woolfe project sounded on the now deleted CD "Bridging the Silence". An instrumental like “Flux and Flow” shows equal expressiveness to songs. This song collection contains many of Bob’s classics, many of my favourites. The songtext of “What are you doing tonight”, about romantic longing within an environmental artifiality and alienation, reminds me in that context of one of Ann Clarck’s early poetry songs where she wrote about the superficiality of people when going out. Songs like "Same old story",, "only what you think you are" and "heart beat" and the instrumentals refer clezrly to the 70s singer-songwriter genre (songs with guitar) in which Bob is rooted in. In general the CD is a very good starter because it shows Bob Theil who he is with his general core expression, in a timeless context.

PS. I think it is a good idea mentioning this album as songs from the archive, vol. 2. It reveals how there is more valuable material recorded. Not mentioned, but in early 2000 there were more tracks rearranged for violin with guitar : professional homerecordings with Jan Jansseuns from former April Sky. All of them were put away in the archives for some unknown period, but hopefully for not too long.

Recommended. Limited Japanese edition of 500. Available through me for 16 euros.

More info and links : http://singersong.homestead.com/BOBTHEIL.html

Will be out on Akarma (LP) soon

















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