singer-songwriters presents :
Matt Everett

CD (2004), CD (2008)
9PM Rec.Matt Everett : Once (US,2004)****

When Fern Knight with Iditarod came to our radio studio’s I think it was they who introduced me to both Matt Everett & The Eyeshores, and their -at that time- demo release. I really couldn’t get a grip on both items very easily, and didn’t know initially what to think of it. Then some time later, when I heard The Eysehores live, I heard a matured, appealing direct strong sound (see review of their latest release at the acid folk review pages). Also with Matt Everett’s release, I can’t remember why it didn’t grab me at first.

This is soft acid chamberfolk driven singer-songwriter music with a “Wyrd” character. The music is enjoyable in such a way I forgot to listen attentively and carefully and while dreaming away on the music from the first “Sea Song” on, I repeatedly worked further on other things. After having read diagonally the 9PM rec comments on this release, I thought, yes ! This is perfect hot chocolate-music ! It’s good to give your friends hot chocolate ! It’s good to talk with friends, while drinking a hot chocolate ! The acoustic guitar, cello (Margie Wenk from Fern Knight), funny piano melodies : all are hot chocolate ! Fern Knight sings along on “San Diego”, and shows again much talent to arrange songs. Together with the accompanying warm sound of the accordion it makes for pleasant friends-and -hot-chocolate-on-the-table-moments-music!...

Info on Matt Everett : http://www.as220.org/~matte/main.html
Info on this 6-track EP release :  http://www.9pm-records.de/en/burn_2a.htm
German review : http://www.jazzdimensions.de/reviews/others/2004/matt_everett_once.html
Little Epiphany Rec.Matt Everett : Blinking (US,2008)**°'

While still busy finishing his studies, Matt Everett in the meanwhile managed to make a new album, solo this time, with sparse help of some local friends on vocals (Caroline Maugeri:6) and piano (Caroline Rodriguez:9) but playing most of the instruments himself. Some of the songs are arranged with a fundament of strummed guitar like introverted pop-rock, with everywhere this slightly dancing melodic piano and most often more chamber-like arrangements. Just once and a while almost classical guitar arrangements occur (3) then to be absorbed by the song. Also the fine arrangements hardly come out much when the songs appear, as if then the music itself blurs into the background, the songs and voice themselves are drawn by introverted thoughts between personal thoughts and coming across opinions for conversations, mostly remain vaguely hanging there, with none of the elements coming out well, not the best equilibrium for a songwriter/musician who balances too vaguely between the one liner of elements of expressions. One of my favorite and most successful tracks is “If You Came this way” where the chamber-like arrangements come out perfectly because there’s a well balanced, perfect cooperation of the song melody adapted onto the chamber-arrangements, and also the dual voice arrangements makes it more attractive and lighter. A quiet album that demands more listens.

Info & audio : http://cdbaby.com/cd/matteverett
& http://www.myspace.com/mateverett

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