TheGreat Pop SupplementMV & EE / MV & EE with The Wolfpack :
Old Black Joe / Huna Cosm (US,2008)****/***'

This is a rather enjoyable and original single from this band, which is always on the road, travelling from here to there, while sadness is on the path of the endless long roads. Voices of friends call from far away. The gentle voice of Erika sings the blues from them, (her) acoustic guitar is with her, and the sliding wahwahs and amplified guitar sounds sound sad like a dog on the road. It's a calling voice, calling from the end of the road, invisible, with the direction forward, this song stands for stillness. Fitting with the A-side is Matt’s contribution of his blues. Two guitars, acoustic and electric (more in the background), both improvise calmly this blues, almost to no end. An -at first difficult to place- howl sings or hums along now and then. It takes a while, becomes almost too long in this mode, but then the song appears in a complaining voice, a shadowy song of a ghost-in-a-shadow thought. Brilliantly the howl seems to have provoked a real dog in the end, which is a nice and brilliant addition to conclude the song with.

The B-Side has a band called The Wolfpack as contributors, and is with MV on guitar, voice, harmonica, EE on cocacola firebird, Willie Lane on electric guitar, Barry Weisblat on banjolele and death chants ?? as background vocals.

Audio : "Old Black Joe", "Huna Cosm"  


The Great Pop SupplementMV & EE with The Golden Road :
The best it ever was / The midden of the Guilford Mound (US,2008)**

The new single contains a countryish blues song with double guitar and electric bass and dual vocals, and with only a small swifted bluesy moody instrumental improvisation on harmonica, pedal steel (Doe Dunn), some Rickenbacker bass (Asa Irons), and melodic plucks on violin (Samara Lubelski), as MV & EE & The Golden Road band.

Audio : "The Best It Ever Was" , "The Midden Of The Guilford Mound" & "Old Black Joe", "Huna Cosm"  
Homepage : http://www.myspace.com/mveebummerroad
Info on band : http://www.qujunktions.com/asp/main.asp?id=207&style=article
Label : http://www.myspace.com/thegreatpopsupplement
& http://www.tomentosarecords.com/greatpop.html
& http://www.greatpopsupplement.com/start.html
& http://www.greatpopsupplement.com/releases.html
& http://www.phonicarecords.co.uk/detail.aspx?ID=30347
Review of "the best it.." : http://www.normanrecords.com/records/100811
& with audio : http://www.boomkat.com/item.cfm?id=125073
& http://www.myrecordcollection.org/artists/mvee/best.html
and of "old black.." : http://www.normanrecords.com/records/96656
& http://7inches.blogspot.com/2008/01/great-pop-supplement-2-new-ones.html
& http://www.myrecordcollection.org/artists/mvee/oldblack.html
& with audio : http://www.boomkat.com/item.cfm?id=76352
& http://www.phonicarecords.co.uk/detail.aspx?ID=26925

MV&EE discography overview on http://www.myrecordcollection.org/artists/mvee/mveepage.html
Ecstatic Peace!MV & EE with The Golden Road : Gettin Gone (US,2007)**°°

MV & EE is Matt Valentine (from former free/experimental psychfolk group ‘Tower recordings’) & Erika Elder (Heroine Celestial Agriculture). They have already numerous LP’s, cdrs and CD’s and a whole history behind them, with something in them that seems always on the road while leaving traces of their existence, never really complete at ease.

Many songs have rather emotional pedalled electric guitars (no less than Neil young’s Crazy Horse). The electrified bit is like mostly slow cry outs, full disappointments and carrying-ons (“if the blues don’t kill me than the livin’ will”), psychedelic frustrated post-rock. When such expressions occur one time too often (like around the ninth track, “Speed Queen”) it reveals also something of self-destruction. Hidden behind all that are very few acoustic angels, which don’t show up their heads and inspirations that often any more (“I got caves in there” makes Erika’s voice echo like Fit & Limo, but only here). I just wished they were there a little bit more frequently to balance out the emotions. It is as if there’s liquor involved in the sound, bringing its portion of hangovers. “Country Fried” after some time is the first real quiet, still sad moment “…and every stone that is thrown must fall”, in fact not different from the guitars expressions, only in a much more quiet tone. It is logical that some acoustic guitar rhythm here makes a slight return to the electric guitar cry at the end of the song. This is followed by a great, more song-driven somewhat conclusive track called “Home Comfort”, before a last rocking track with sympathy for the bars they were performing in with the band.

Matt Valentine plays guitars, harmonica, bantar (modified banjo into a sitar), swarsangam, bass, octave, divider bass, mellotron, vocals ; Erika Elder plays cocacola firebird, lap steel, bowed dulcimer, mandolin, vocals. Golden Road is Willie Lane on guitar, J.Mascis (Dinosaur Jr.) on drums, Ron Schneiderman on bass, Samara Lubelski (Hall Of Fame,..) on bass, John Moloney on drums, Doc Dunn on pedal steel, resonator, bass, drums, vocals, Luisa Reichenheim on harmonium, Zuma on bells. These musicians do not cooperate as one constant entity, but appear within the idea and concept of that group entity.

Audio : "Susquehanna (sole art trample)", "The Burden", "Hammer", "I Got Caves in There", "Sweet People", "Home Comfort" (from WMFU) ; video : "getting gone preview"
Info : http://www.myspace.com/mveebummerroad & http://www.ecstaticpeace.com/artist.php?id=8
Matt Valentine & Erika Elder also were listed on the next compilation : http://singersong.homestead.com/josephinefoster.html#anchor_99
-promo version cover-
Singer/Songwriters presents :
Matt Valentine & Erika Elder / MV & EE

as "MV & EE with The Golden Road" : CD (2007), EP & single (2008,2008)
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