Sunbeam Rec.  Meic Stevens : An evening with Meic Stevens -recorded live in London (UK,2007)**°

Of course, people are curious as what to expect from an old singer-songwriter when he would suddenly turn up on stage again after 30 years. After a few bootleg reissues of Outlander, outtakes on Tenth Planet and a few official single reissues on Sunbeam, how can he not be noticed and recognised ? This concert at the Half Moon in London featured some members of his band : Mark Williams on drums, Mark Jones on bass, Billy Thomson on fiddle and Lleuwen Steffen on some backing vocals. Like each concert it gets us only slowly to a special mood. The lyrics and some of the songs (3/4 were new songs) didn’t sound too special at first, but still the personae of Meic Stevens brings them from a folkbar atmosphere to something more special, which is great because there are donwith e no special treatments or any ambitious arrangements. The first highlight came with the old song “Ghost of solva”, a nice version with seagull violin. Now and then it is a bit rockier. The last track, “Ghost time”, where the violin makes some ghost oscillations, rockier than before, marks clearly the end of the show, with more energy put into it, worked towards a highlight, with a version of over 6 minutes, giving a second uplifted moment that must have made the evening memorable. “I see you in another 30 years, ok ?” Meic adds at the very last second…

Fan page : http://www.myspace.com/meicstevens
Info on http://www.soundlinkmusic.com/catalog/sunbeam/meic-stevens-an-evening-with-meic-stevens/prod_166.html & http://www.sunbeamrecords.com/meic_stevens.htm
Other review on http://terrascope.co.uk/Reviews/Reviews_February08.htm#MeicStevensL
3 previous releases (reissues) reviewed on http://singersong.homestead.com/reissue2.html
Singer/Songwriters presents : reissues / new :
Meic Stevens

(reissues will be added soon) : LP (1962)->CD , LP  (1970-1971)->CD, LP (1972)->CD ;
new : CD (2007)
Sunbeam Rec.Meic Stevens : Rain in the leaves : the EPs. Volume 1 (WA,1962)***°°

Welsh Meic Stevens toured a while in the British club circuit where he was discovered for a contract with Decca for a single in 1965 without many sales. This early single still sounded very much as if illuminated by early Bob Dylan or Wizz Jones, or even much earlier singers and songwriters. Feeling uncomfortable with his personal situation in the UK, he returned to Wales. In late 1966 there he succeeded to record some of the earlier songs now rewritten and sung in Welsh. This first EP, under the name of Mike Stevens, sold rather well. From these earliest tracks I like best “Ond Dof Yn Ôl” a track which will later reappear on his ‘Outlander’ album, and the sad “Tryweyrn” with a few strange instrumental effects. Encouraged by success all tracks to be recorded on his next EP were much more moody and relaxed, in a personal style that was already noticeable in the two previously mentioned songs. From then on this became some kind of standing stone standard. On these songs, the Welsh language /tongue seemed also to roll smoothly and rhythmically, almost like an extra instrument into and with the song evolution along with the acoustic guitar. “Hwiangerdd Mihangel” is a beautiful instrumental by guitar and melodic flute.

Late ‘60’s he started shuttling between Wales and the London scene. Despite some powerful demo’s it didn’t mean any other contract yet. (It was not until 1997 when Tenth planet published these brilliant 1968-169 demo’s as 'Ghost Town' as a limited LP of 1000). Backstage he met two teenagers, and together they set up a pop trio (Y Bara Menyn = Bread and Butter) meant as a parody to contemporary Welsh music, which turned out to be a success with some EP’s as result, which is of course a different story, so they’re not included here. The commission to write a pop opera led also to a single performing some of the songs alone by Meic, which was his next EP. From this session, “Myfi yw’r Dechreuad” with an eastern flavour with powerful acoustic guitar, is a song that reminds me of some songs on ‘Outlander’.

The last mini-LP which is added on the compilation were Welsh songs he did during the time he had received the deal to make Outlander. The label finally didn’t like ‘Outlander’ much, even though it’s a great piece of art. This led to Meic taking a distance from the major labels and encouraged him to focus on the Welsh scene only. Still in the ‘Outlander’ period, he recorded a Welsh LP with Heither Jones, but when that record deal went off, these recordings were split into two very limited EP’s. “Mae Gennyf I Gariad” on this EP, was most similar in style to the more progressive/psychedelic, driving and emotionally rich rocking tracks on Outlander. This tracks still is basically acoustic with some second, electric guitar. Also this EP is an interesting discovery which wasn’t reissued anywhere before.

A rather essential release of Meic Stevens complete with covers, liner notes, additional info and some comments by Meic Stevens himself.

Info on release: http://www.sunbeamrecords.com/meic_stevens.htm
Info on Meic Stevens : http://www.bbc.co.uk/wales/music/sites/meicstevens/ &
http://www.bbc.co.uk/wales/music/sites/meicstevens/pages/biography.shtml
Other recent compilation (with audio) : http://www.bbc.co.uk/wales/music/sites/meicstevens/pages/disgwyl_rhywbeth_gwell_i_ddod.shtml
Latest official album : http://www.sebon.co.uk/cd.asp?id=280
Review of 'outlander' (in middle) : http://www.scrammagazine.com/scram19reviews

Sunbeam Rec.Meic Stevens : Sackloth & Ashes : the EPs. Volume 2 (WA,1970-1971)**°'

When in 1970 Warner Bros had lost interest in Meic Stevens, he went back to Wales, and took a distance from major labels. There he build his own 16-track studio where he recorded 2 of the included EP’s, as well as one unreleased EP. Meic Stevens entirely focused on a Wales public and its culture. All songs were written and sung in Welsh now. Meic's style remains recognisable. With certain variations he had already shown before, there's no attempt to become anything different from this. By this time he had formed his own distinctive style and musical character. According to the liner notes, compared to what happened in Wales in those days, seemed to make him the most gifted talent, who had something inspired to offer, which explains the continuation of iterest by BBC Wales, who kept his interest in Meic Stevens, gave him various, mostly TV related, commissions, of which not much was saved or ever commercially recorded -(one small unreleased recording is added here-) . Even when I do do not understand a word of the songs from the songs on this release, the appreciated style, with a certain recognisability troughout the album, this compilation succeeds to continue to be an enjoyable listen.

Another compilation of his early works (1968-1979) : http://www.bbc.co.uk/wales/music/sites/meicstevens/pages/disgwyl_rhywbeth_gwell_i_ddod.shtml
Label info (will be added soon) : http://www.sunbeamrecords.com/meic_stevens.htm
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Sunbeam Rec.   Meic Stevens : Gwymon (='seaweed') (WA,1972)*°°'

After Meic’s disappointment on how he was treated after the failure of the expected success of his English spoken album, Outlander, he decided to sing in Welsh only, for he remained under contract for his English repertoire. He had collected many more songs, which were mostly commissions for TV companies as well as some songs that were performed before on John Morgan’s late night show (-the album starts with radio-like spoken word and the band starting at the background, probably refers to one of these transmissions-). Having just one day in the studio to record a new album, he could only find two local pub musicians to join on drums and bass (and musical saw on one track). Clearly the group did have fun in recording and were almost not too serious about it, when you hear them making funny noises and using pub singing ideas to some of the, luckily, funnier songs. The drummer mostly follows the way of rhythms and tunes played on the up tempo strummed acoustic guitar. The feeling remains light mostly. The songs sound nice, but there’s also a more easy going country-esque performance (“O mor lan..”), a classic blues styled song (“gwely gwag”), and songs that sound less special (“mynd I weld..”). “Galarnad” is of course one of the more beautiful songs, like a ballad, following well the Outlander’s special occasion. Good to mention also, is a favourite fun making song which makes a bit fun of the word kangaroo which is “Carangarw” in Welsh, repeating “carangarah…carangaroo” most of the song through, as if making with this a new tribal safari song meant for bars. Of course, you have to face this album with some great elements as a very quickly recorded album, which might have been better with more support and time, although it has certain charms. To hear how he really sounded live these days, with extra support on second guitar, banjo and bass can be heard on the two enjoyable bonus tracks.   

Info on this release: http://www.sunbeamrecords.com/meic_stevens.htm
& on http://www.soundlinkmusic.com/catalog/index.php?act=viewCat&catId=28
Info on Meic Stevens : http://www.bbc.co.uk/wales/music/sites/meicstevens/ &
http://www.bbc.co.uk/wales/music/sites/meicstevens/pages/biography.shtml
Article on Meic Stevens on http://icwales.icnetwork.co.uk/...