Preservation    Oliver Mann : The Possum Wakes At Night (AUS,2008)***

My first impression of this album was that there was much more focus on the awareness of his voice, different from the previous release where this voice was put onto stage, theatre, for an inspiration to a performance in the spotlight but with the mind fleeing to different places, and playing with different styles that could lead the listener along, with the voice as an instrument to paint films and stories, this album immediately puts this voice into a stripped and bare position. This made me a bit uneasy, not knowing where song expressions were bringing me this time. After a few listens it all came to me very clearly. The Stage is lighter, the first song almost has pop abilities, but above all the tone is lighter, the arrangements seem to be sparse at first but in fact build up the variety in the scene very well. Where before almost different stages were put into setting, now one white stage unites different styles, with a bit of humour, like in a modern operetta, slowly dancing the encouragements with gentle romantic or smiling temperament. Oliver has a whole crew of musicians with him from different sort of stages, from rock to classical, adding with him touches of electric guitars, harmonica, mandolin, glockenspiel, harpsichord, violin or (somewhat free) drums and soprano voices. On one track, “crackers cracking” I thought it was about those cookies getting enormous proportions in background sounds building up, but then it seemed to be about firework crackers, showing itself with their sounds only after a while during the song. On the last track he is the troubadour. A nice album, but it needs various listens to get a grip on the whole range it expresses. For Oliver Mann this is the crown with freedom and lightness after more restricting the voice in classical opera works.

Audio and info : http://www.myspace.com/olivermannsings
Homepage : http://www.olivermann.com/
Info on http://www.inertia-music.com/...
Label info : http://www.preservation.com.au/olivermann.html
Description on http://inertia-music.com/...
Article : http://www.theage.com.au/articles/2008/10/16/1223750228688.html
private cd     Oliver Mann : sings (AUS,2005)****'

I was contacted by J.Weaver who wanted to recommend me some independent artists from Australia, which he thought deserved international exposure. From his choice Oliver Mann pretty much stood out.

On Oliver Mann’s privately released album from 2005 we can hear a very individual talent, a clearly classically trained operatic (with a baritone core) voice with its own distinctive uniqueness, who seems to have written and performed an album that defies any categorization. He could easily depend for his songs and improvisations entirely on his gifted voice and timbre or way of singing, if he wanted too, and already have all the necessary effect on the listeners. It is a voice that could easily meet bell canto, gospel, opera or cabaret, or any other form, but he doesn’t. He just brings the listener to different areas, in songs mostly, but also in really odd and avant-garde collages of improvisations. One time as a singer-songwriter he sounds like Fred Neil, with a similar effect in his voice : carrying the listener’s attention almost like a meditation. At some other point you might think of Anthony and the Johnsons or Baby Dee’s personal cabarets and emotions, but this has a much more a classically trained vision of singing.

“A book” opens the CD with a more classical inspiration and starting point, with an a capella multiple vocal arrangement, lead by solo voice, -but with an oddly scratching needle on a record in the background-. Except a few warmly sung songs with a warm voice presented like a father telling stories to his children, Oliver’s theatre is in fact much more surreal, and while a core of comfort remains, he brings us to something far more contemporary, a theatre situation with various images, arrangements (guitar, mandolin, clarinet, singing saw, by several guest musicians), and unexpectedly changing timbre and rhythm like turns in a story. It will have the listener’s attention for its 32 minutes, but nobody could say from the start to which areas he had been. Recommended.

Audio and info : http://www.myspace.com/olivermannsings
Homepage : http://www.olivermann.com/
Other reviews : http://thesoundlounge.blogspot.com/2005/10/oliver-mann-oliver-mann-sings.html
& http://www.dbmagazine.com.au/399/cd-OliverMann.shtml & on http://olivermann.com/catalogue/
Articles : http://www.thevine.com.au/music/reviews/oliver-mann-readies-possum.aspx     
& http://www.theage.com.au/text/articles/2008/10/16/1223750228688.html
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Singer/Songwriters / song experimener / vocalist presents :
Oliver Mann

CD (2005), CD (2008)
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