Sunbeam Rec.Wizz Jones : The Legendary Me (UK,1970)****'

It’s nice to discover another worthy album by Wizz Jones. This is Wizz pure from heart, at his most mature, after a first long period of touring the folk circuit and having adapted ideas from other personalities (Clive Palmer, Bert Jansch and John Renbourne) whom he also worked with, with qualities like modesty, simplicity and spontaneity, here in a personal blend.

The liner notes tell me more background history and finally some background on songwriter Alan Tunbridge, who seems to be a painter and shared interests with Wizz Jones, wrote lyrics spontanuously to Wizz's pickings.

There is only little trace from bluesfolk or from playing covers on this album. I think it shows best Wizz own core of his unique individuality. The last, live track on the album, “Stick a label on it”  with the lyrics “stick a label on it, and no one will know/give it a name, and everything can go just the same” could here also be about his personal muze of picking and singing, proving once more how independent and to the moment Wizz Jones was at this stage.

There are various classic songs included, like “See how the time is flying”, or “Dazzling Stranger” played here with some extra harmonium, the best version of this song I heard so far. There are also surprisingly strong new songs/beauties I haven’t heard before, like “If only I’d known” or “Slow down to my speed”, two songs almost destined to become covered by others this time.

The album flowers with perfectionism in guitar picking and recording, a warm voice, and perfect production by John Turner (who added only sparse touches). The album was engineered by Gef Lucena and Ron Geesin*. For me it might be one of the best starters for the rather modest personality of Wizz Jones. The album was made one year before the more arranged “Right Now” (where John Renbourne played along too, also with sitar on two tracks).

A few good live tracks were added, including songs like “Sisters Of Mercy” (L.Cohen) and “Needle of Death” (B.Jansch).

Info : http://www.sunbeamrecords.com/page15/page4/page4.html
& http://www.wizzjones.com/disc_legend.html
Village Thing list of records : http://www.martin-kingsbury.co.uk/articles/village%20thing.htm

* See Pink Floyd's 'Atom Heart Mother', Ron Geesin & Roger Water's 'The Body',...

Wizz Jones made various from good to excellent albums based upon cover interpretations (which include often many Alan Tunbridge songs, and a few songs of his own). Favourites of mine of his works are “Right Now” (1972,***°°), “Lucky the Man”(2001,***°) and “The Village Thing Tapes” (1969-1976**°°), which is another album produced by Conny Plank. He also made an album with Clive Palmer, Banjoland (reviewed on next page) and another one with ex-COB member John Bidwell and Jake Walton called Lazy Farmer. Review on next page

I once saw him play live (2006?). It had charming moments. Personnally for me he played too many blues songs.
guitar / folk / Singer/Songwriters reissues presents :
Wizz Jones

LP (1970)->CD +(gradings on 1972,2001,1969-1976), rec.1973->CD ; see also Lazy Farmer
Sunbeam Rec.Wizz Jones : When I leave Berlin (UK,1973)**°°'

In some of Wizz Jones highlighting days, it was mostly songs co-written by lyricist Alan Tunbridge who brought a deserved attention. Wizz with no doubt is a good arranger on guitar and interpreter of songs especially in folk areas, bringing often songs from befriended musicians and just a few traditionals in that field, and just now and then a self-penned song. No Alan Tunbridge here. Friends of those days were people like Robin Williamson from whom he interprets “First girl I loved” with some confronting, slightly embarrassing lyrics coming over well. I like very much the first side of this album with mostly folk songs (Woody Guthrie included). I like very much the additional flute playing, especially on the Jesse Winchester song on side 2, “Skip Rope Song”. Another fundamental inspiration for Wizz Jones is old blues songs, an area of his which I always felt a bit more of a tiring area. Most bonus tracks are from this portion, and are less my cup of tea. But we also have some really memorable tracks on the original reissue. 

Info : http://www.sunbeamrecords.com/wizz_jones.htm
& http://www.wizzjones.com/disc_berlin.html
See also Wizz Jones on Clive Palmer's 'Banjoland' on next page
and Lazy Farmer  on next page
go back to the singer-songwriters index
or go back to the general index