private pressing       Ruby Throat : The Ventriloquist (UK,2007)***°

Katie Jane Garside seems to have a longer history in music than I expected after having discovered Ruby Throat. In 1992 she sang with a band called Daisy Chainsaw and sang guest vocals for the 80s styled industrial group Test Department, wild years ? Then I see her like a sexy kitten singer with a contrasting heavier band called Queenadreena, not with a type of style that warms up my interests enough, but I haven’t got time and chance to look well into this youngsters style approach... Then I saw another side-project called Lalleshwari, with another CD & filmic project using voyeuristic esthetical images, inspirations in bathrooms, where also I did not find easily any deeper stories behind the more easily found standard bodily seductions, no matter how innocent, I didn't find yet a feeding curiosity for the deeper lying things, while the personal images looks so important. With Ruby Throat, as a duo, (with Chris Whittingham) her presentation is much more down to a real person, as a more fundamental side of attraction that a bit more clearly to me goes beyond the now more present softer sweet untouchable girlish fragility, another surface taken, (another person or occasion could show off as being tough and bitchy for the same reasons, a strategy). It is clear how she makes here more use of her voice an instrument of pure music, and shows expressions of a longer lasting story. The arrangements are done with great care, and they swirl around in sound and harmony, while simple effective guitar brings the songs further. Her singing starts slightly breathy, an attractive singing like a gentle bird with fantasy-emotions. Not easy to get a grip on all the lyrics well enough, but already at first listen there’s enough in them to be carried away for a dance with some different emotions, when not too demanding where getting involved would lead to further for tomorrow. Little simple dramas seep through ; also involved is a beautiful and warm family feeling, of something that finds all that is needed. Another surprise is the ninth track, a larger, rather psychedelic improvisation on guitars and vocals. An album that needs many listens to reveal all the aspects.

PS. Next release where Katie appears will be a cooperation of Audrey from Mediaeval Baebes, Kat from Miranda Sex Garden, Andrea from Colt, etc. and will be called Stories From The Moon.

Track Titles (not included in the cd) : 1 "Swan And Minotaur (Troubled Man)", 2 "House Of Thieves", 3 "Naked Ruby", 4 "Salto Angel", 5 "Dear Daniel", 6 "The Ventriloquist", 7 "Lie To Me", 8 "Ghost Boy", 9 "John 3.16", 10 "Happy Now", 11 "Marybell Rides Into Town On A Pig".

Audio & info on http://www.myspace.com/katiejanegarsiderubythroat
Video on http://www.youtube.com/..
Homepage : http://www.katiejanegarside.com/ & blogspot : http://katiejanegarside.blogspot.com/
Intro on KatieJane : http://en.wikipedia.org/wiki/KatieJane_Garside
Fan page on singer : http://www.room-eleven.org/
with page on Ruby Throat on http://www.room-eleven.org/thegallery/rubythroat.html
PSF Rec.       Kim Doo Soo : 10 Days Butterfly (SK,2007)****

I’m glad to see Kim Doo Soo finally is making it outside South-Korea, also as one of the first new artists. His latest album, the first in 5 years, just recently was released in Japan, on double LP and on CD.

Like the Korean tradition says that all circumstances can be expressed by nature, this is a way of being careful with temporal conditions, as well as making a person aware of wider contexts, being able to transcend all, in a poetic way, which I never see some other cultures succeed in doing like they do, and like Kim Doo Soo is such a great example to carry this to the world, even when his songs here do not leave out the personal contexts. His song poems are translated into Japanese, but also in English, by Joseph Kelly.

At first hearing on one occasion I thought the vocals were mixed very softly as if somewhat adapted by the resonating body of the guitar, but that wasn’t on the best installation. Kim Doo Soo’s almost whispery singing surely is soft and warm like this wooden guitar body. It is also as if we hear subtle, a few times bluesy, warm breezes being played on guitar, with some of the string and guitar arrangements. “Cape Jasmine” has a more eastern flavour in it. All other additional arrangements comforts this “breeze”.

Kim Doo Soo sings and plays acoustic guitar, harmonica, Kim Kwang Seok plays electric guitar and acoustic guitar solo, Ha Reem plays bandoneon and percussion, Kim Hyo Kukplays synthesizer, Lee Heyon Su plays cello, Um Tae Won : trumpet and Ji Sung Chul : piano.

Audio link will be added later
Info : http://www.discogs.com/release/1167078
Label : http://psfrecords.com/new.html
Description on http://www.forcedexposure.com/artists/doo.soo.kim.html

My own Kim Doo Soo fan page : http://psychedelicfolk.homestead.com/KIMDOOSOO.html
Sanctuary Rec.   Bert Jansch : Edge Of A dream (UK,2002)***°'

Although Bert Jansch is one the most important English guitarists, I consider this album partly of a singer-songwriter inspiration and thus taking certain style standards to a different level. I couldn’t grab the previous album, “Crimson Moon”, but I could feel and appreciate better what is happening on this one. There are a couple of semi-improvised guitar bluesy duets of Bert Jansch, like with Dave Swarbrick (of Fairport Convention and later fame) on violin, with Paul Wassif on slide guitar. In a way there is a tendency, of sadness, and sorrow falling back on bluesier standards (a bit too automatic on the diary-like last track on the Twin Tower event, and too much of a standard on “walking this road”, but elsewhere when it becomes a personal statement these become a core of strength and inspiration). It is as if this sorrow just takes a few recognisable cores to hang on as an inspiration, to start anew with dignity and quality, consciously feeding the survived elements, with fine results even when not finding more to grab upon than on the symbols of importance (like on “La Luna”, a track with a strong Spanish flavour in the guitar). The titletrack of “On the Edge Of A Dream” is about “rock music”, and combines well the Jansch acoustic guitar style with an electric guitar (by Bernard Butler, from Suede fame), a creative rocking lullaby, an ode to electric rock music, while on “What is on your mind” he combines acoustic and electric guitar himself. A song which keeps itself easily in mind is “I cannot keep from crying”, a return point of being conscious of an in reality often irreversible past. Loren Jansch (or Auerbach, -I heard a never mentioned album of Loren with Jansch which I found the least of his albums, also because of her voice), sings with a slightly smoked voice an old song of Richard Farina, but especially Hope Sandoval (known first from Mazzy Star) takes over Jansch voice with a fresh alternation. In some way the album prepared for a strong come back, only misses a bit the scenes and friendship’s circle to fully expand itself further yet. All the elements that gives rightful foundations for such a start are present.

Homepage entry, with audio : http://www.bertjansch.com/edgeofa.html
(from http://www.bertjansch.com/)
Other reviews : http://www.cfrb.com/album/609645/review
& http://arts.guardian.co.uk/reviews/story/0,11712,804043,00.html

Bert Jansch tribute album is reviewed on http://singersong.homestead.com/reviews.html#anchor_33
Bert Jansch latest album is reviewed on http://psychedelicfolk.homestead.com/folk.html#anchor_92
Snow Beach Rec.   Marian Segal featuring Circulus : The Gathering (UK,2007)**°°

Also Marianne Segal is back, first with a reissue of her first album (from 1972) some years ago (,with a band called Jade aka Silver Jade, a name taken on the US pressing not to confuse with the US prog band Jade in those days), then a reissue of some really nice unreleased songs from her project before that with Dave Waite (1967-1969), and now finally with something new. It was so that after the two reissues the original band had reformed for a one-off concert in London, where Michael Tyack from Circulus happened to be there. With Circulus she recorded her song “Swallow” on Circulus' first full CD. This was only the beginning of a longer term cooperation, of which these tracks are the result. It is neither really folk or pop, or rock, but there are moments the singer-songwriter inspirations are fronted and backed with band arrangements, of which some of these arrangements depending on the song mood are either folkier (“September Song”)/old English (with Crumhorn) with string arrangements (“Lapis Wings”) or rockier (like “Circle round the sun” with funky vibed guitar, Wurlitzer piano, bluesy harmonica). “Saints On Tapestry is a powerful convincing expression of a songwriter with great string arrangements, rock guitar, some flute,.. “Root People” is another surprise of an arrangement with Ozric sequenced bass and heavy psychedelic guitar by Bill Steer (Firebird). But on the end there are also a few mellower nostalgic inspirations, a logic inclusion considering how long many 60s/70s artists had to wait until recently before finding a new interest since then, but these sounds are also well adapted into the concept, giving a realistic multiphased vision on gathering inspirations and musicians for such a new project.

Audio : "September Song","Lapis Wings","Circle Round The Sun","Saints On Tapestry", "Root People", "Kicking Up The Sands Of Time", "Sussex Downs", "Dreamers"
Info : http://www.spiralearth.co.uk/news/story.asp?pg=newsarticle&nid=551
& interview : http://www.spiralearth.co.uk/interviews/marianne-segal-interview.asp
Homepage : http://www.mariannesegal-jade.com
Previous Marian Segal & Jade reissue is reviewed on http://www.psychedelicfolk.com/folk.html

Links to reviews of previous Circulus releases : http://www.psychedelicfolk.com/Psychfolkpopreview.html..
& http://www.psychedelicfolk.com/acidfolkreview13.html..
private          Silver Pines : Fort Walnut -EP- (US,2007)***'

It is a bit of a shame but I find it difficult to describe well the warm and lush late evening gig core music of Silver Pines, fronted by vocalist Stefanie Franciotti. The arrangements really suit the music and songs well, a combination of acoustic guitars (picking or strummed) combined with background sliding electric guitar, soft and smooth laid back percussion, contrasting with tambourine and additional singing saw here and there, with glockenspiel and trumpet on the last track. The five songs were performed by Stefanie Franciotti, Lauren McMurray, Austin Youngblood, Jesse Jenkins, Kyle Dixon, Adam Jones, Zac Roesch, Justin Goers and Stephen Orsak.

Audio : "Lionmen", "Threadbare Coat"
Info & audio : http://www.myspace.com/silverpines
Intro on group : http://www.austinsound.net/SOSilverPines
& http://www.austinchronicle.com/gyrobase/AMDB/Profile?oid=oid:464044
private  Rue Royale : The Search for where to go EP (US,2007)***'

Technically this EP sounds like one song divided in 5 different sections. The vocal arrangements with focused strummed guitars, and a few piano notes (by Aaron Stampfl), with soft percussion being added (by Aaron Mortenson), have something familiar to Sufjan Stevens, in a somewhat folkier, intimate happy way, with its own sweet small room poppy attraction. Brookln Dekker sings some solo parts just here and there, but I only heard Ruth singing solo very briefly (on “even in the darkness”), which is a bit a shame, because her voice is a beautiful bird when carrying these solo parts to its own modest heights..(reminiscent of Agincourt's charming singer perhaps).

Audio : "Even In The Darkness", "Parachutes And Lifeboats", "Walls", "Everything Comes From You Anyway", "U.F.O." & http://www.myspace.com/rueroyale
with info : http://cdbaby.com/cd/rueroyale/from/lynch
Homepage (with audio) : http://www.virb.com/rueroyale
Label info : http://www.uncommonground.com/artist_profile/artist_id/2968
Intro : http://www.hearya.com/2007/07/06/rue-royale-the-search-for-where-to-go-ep/
Other reviews : http://www.openingbands.com/printerfriendly.race?ID=730
& http://atoms4peace.blogspot.com/2007/11/rue-royale.html
& http://www.iommagazine.com/CDReviews/CDRueRoyaleSearch.htm
& http://www.infuzemag.com/index2.php?option=com_content&do_pdf=1&id=14440
& http://www.fakejazz.com/fake/archives/2006/11/rue_royale_-_th.php
Singers & Singer/Songwriters releases review page 29

Rue Royale, Silver Pines, Marie Sioux, Adela Diane, Marianne Segal, Bert Jansch,
Noa Babayof, Ruby Throat, Kim Doo Soo, Meic Stevens, Saffron Summerfield
GO TO NEW REVIEW PAGE ->

go back to singer/songwriters index
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Grass Roots Rec.     Mariee Sioux : Faces In The Rocks (US,2007)****°

I also like to mention, and recommend this singer-songwriter who clearly has all the advantages and depth of native Indian and nature-grounded foundations and inspirations. She has a beautiful faerie voice, and great pickings, with vocal arrangements which here and there remind me somewhat of Marissa Nadler’s approaches with the help of Orion Rigel Domisse or Orion's solo efforts. Some songs are pretty long but don’t feel like that at all. Some additional arrangements include native flute, buffalo drum, accordion, and cello and some additional guitar sounding once feather-light brushed, also reveals some native Indian approach/nature. A great discovery and an album that I assume will keep you digging into deeper and deeper.

PS. The very nice artwork was provided by Maria Pugnetti (Wooly Mar, review of her music on next page).

Audio : "Buried In Teeth","Wizard","Ghosts In My Heart"
& info : http://www.myspace.com/marieesioux & http://cdbaby.com/cd/marieesioux2
Label info : http://www.grassrootsrecordco.com/artists/mariee_sioux.html
Article : http://ravensingstheblues.blogspot.com/2006/07/mariee-sioux.html
Other reviews : with audio & video : http://www.akaraff.com/archives/mariee-sioux-faces-in-the-rocks
& http://www.playbackstl.com/content/view/6720/157/
& http://www.newsreview.com/sacramento/Content?oid=602712
& http://indietour.blogspot.com/2007/09/mariee-sioux-faces-in-rocks.html
& http://cocoamusic.blogspot.com/2007/09/mariee-sioux-faces-in-rocks-new.html
& http://www.glidemagazine.com/Articles/52547/Mariee-Sioux%3C_b%3E.html
& http://muruch.blogspot.com/2007/12/mariee-sioux-faces-in-rocks.html
Anova Prod.   Noa Babayof : From a Window to a Wall (IS,2007)****

Noa Babayof surely is a fine discovery, and it seemed she was adapted by the finest Philadelphia crew, again, who delivered the finest and most perfect chamber music arrangements, with Katt Hernandez on violin, Jesse Sparhawk on mandolin (3 tracks), Greg Weeks on recorder, percussion, white/pink noise, bells and additional string arrangements, Jessica Weeks on flute (1 track), Margaret Weink (Fern Knight, Eyesores,..) on cello and contra bass, Amit Erez on additional guitar (3 tracks) and additional vocals (one track). The beautiful artwork was once more provided by Maria Pugnetti, who succeeds to make the music richer visually. The album is already out in Israel, and will soon be distributed by Drag City on Greg’s sub-label in spring 2008.

Noah has the right portion of vulnerable sensitivity that gives all kinds of folk flavoured music an attractive quality carried by her voice ; -the same kind of qualities typical of many feminine folk greats, makes her here perhaps most comparable, for her voice, to Sharron Kraus for instance. Although entirely beautiful, I need to read the booklet to check the lyrics better, but also there I am distracted by the artwork that provides another satisfactory dream, and if it were not her voice and vocal arrangements, the chamberlike arrangements would get.

Audio fragments on http://www.israel-music.com/...
Homepage with audio : http://www.myspace.com/noababayof 
Video on http://www.youtube.com/watch?v=1FuHU4Y73Jc
Label : http://www.anovamusic.com/
& http://www.myspace.com/anovamusic
Sunbeam Rec.   Meic Stevens : An even with Meic Stevens recorded live in London (UK,2007)**°

Of course, people are curious as what to expect from an old singer-songwriter when he would suddenly turn up on stage again after 30 years. After a few bootleg reissues of Outlander, outtakes on Tenth Planet and a few official single reissues on Sunbeam, how can he not be noticed and recognised ? This concert at the Half Moon in London featured some members of his band : Mark Williams on drums, Mark Jones on bass, Billy Thomson on fiddle and Lleuwen Steffen on some backing vocals. Like each concert it gets us only slowly to a special mood. The lyrics and some of the songs (3/4 were new songs) didn’t sound too special at first, but still the personae of Meic Stevens brings them from a folkbar atmosphere to something more special, which is great because there are donwith e no special treatments or any ambitious arrangements. The first highlight came with the old song “Ghost of solva”, a nice version with seagull violin. Now and then it is a bit rockier. The last track, “Ghost time”, where the violin makes some ghost oscillations, rockier than before, marks clearly the end of the show, with more energy put into it, worked towards a highlight, with a version of over 6 minutes, giving a second uplifted moment that must have made the evening memorable. “I see you in another 30 years, ok ?” Meic adds at the very last second…

Fan page : http://www.myspace.com/meicstevens
Info on http://www.soundlinkmusic.com/catalog/sunbeam/meic-stevens-an-evening-with-meic-stevens/prod_166.html & http://www.sunbeamrecords.com/meic_stevens.htm
Other review on http://terrascope.co.uk/Reviews/Reviews_February08.htm#MeicStevensL
3 previous releases (reissues) reviewed on http://singersong.homestead.com/reissue2.html
Mother Earth Music   Saffron Summerfield : Who's Land is it anyway ? (UK,1994)**°'

With the last Breton spoken word song accompanied by pipes, called “Settlers”, Saffron wonders about the reasons for claiming land. Once we were settlers, not inhabitants, it says. I prefer to add that once we were family bound and cared for the land we were living on. In Africa they still are mostly tribe or family minded. We could eventually expand this fundament by trying to gather together likeminded people, even when surrounded by people with other aspects. In real life there are also other, like economic, reasons that make people go to some area, not having respect or bonds with that land and with all that has been fertilized on it. I personally believe there are people who feel this very well and they should be mobilized and able to protect this, while being open for eventual further development when circumstances change, while being able to take care and respect what has been helpful before. All this can lead to many further discussions on how we are able to develop positively. The farmers who fertilized the land have developed different human principles and feelings for what is important or not compared to urban citizens who developed different things (look what happened in Cambodia). You have to participate with all that to understand its evolutions.

Various songs are about human tendencies to grow independently (“my father was a carpenter”), about not feeling enough the importance of caring for the earth (“small song for the world”), about taking care more of certain tradititions than about human circumstances and choices (with the traditional “the cruel mother”), about certain myths (“the man on the clapham omnibus”), and about the importance of friendship beyond borders (“farewell friends”). There’s an attempt of a more English styled rearrangement of an old Hungarian ballad, once adapted by Bartók, pushing the rhythms in 7/4 for bodhran. The songs are arranged nicely with guitar mostly, and cello (Kathryn Locke) besides a few other instruments, like pipes (twice) (Stefan Hannigan) and alto sax (Peter Lockwood). George Norris supplied second guitar on one track. Saffron voice sound attractive, and her songs sound like a logical follow-up to her previous repertoire. Two times she tried a bit more jazzy approach, of which “The man on the clapham omnibus”, because of its unfocused and too soft and loosely played percussion and strange focus on the singing, appealed less to me, but luckily that song isn’t too long.

Audio : "Sally Free and Easy"
Info on Saffron : http://www.motherearthmusic.co.uk/artists.php
Bio : http://www.martin-kingsbury.co.uk/articles/saffron%20summerfield.htm
Discography : http://www.motherearthmusic.co.uk/buyonline.php#records
Homepage : http://www.saffronsummerfield.co.uk/
Info on album : http://www.motherearthmusic.co.uk/whoseland.htm
2 early albums are reissued and reviewed on http://singersong.homestead.com/reissue5.html
Holocene-Fargo Rec.       Alela Diane : The Pirate's Gospel (US,rec.2004,pub.2006)****°

Even when Alela Diane had already much exposure and success in the US, (together with one of the biggest new talents of actually her closest friend, Mariee Sioux), she has only just been introduced in Europe with a release on a different label. I had already heard some tracks before on a compilation, but it was not until I heard the first track of the new CD that I was convinced and hooked by her voice, of which I prefer to say she has a gospel blues attraction in it, what sounded like a mixture of Jolie Holland with .. more new American singer-songwriting, while she accompanies herself on picked acoustic guitar. There are just some additional arrangements. Nice to mention are for instance the folk-“gospel” chorus singers on the title track, or the choir of children on the funny cynical poor girl song “Pieces of String”. Alela Diane not only is a talent for her attractive voice and singing, she’s also a talented and mature writer. I only wish the lyrics had been included with the CD as well. “Can You Blame The Sky?” for instance is a beautiful introspective on being an orphan. I recommend to compare the song with Baby Dee's "Robin's Tiny Throat"*, something which I did in my radioshow.*
Highly recommended !

Audio : "Tired Feet", "The Rifle" & "The Pirate's Gospel" & with info : http://www.myspace.com/alelamusic
& with review : http://www.boomkat.com/item.cfm?id=32883
Video : http://www.youtube.com/watch?v=SpwSxHiiNSw
& http://www.dailymotion.com/video/x3rwcs_26-alela-diane-pirates-gospel_music
Homepage : http://www.aleladiane.com/
Lyrics (not in booklet) : http://www.aleladiane.com/lyrics.html
US label info on artist : http://www.holocenemusic.com/aleladiane/
& http://en.wikipedia.org/wiki/Alela_Diane
Europe label info : http://www.fargorecords.com/artiste.php?artiste_id=696
Other reviews : http://www.contactmusic.com/new/home.nsf/webpages/aleladianex30x07x07
& (with audio) http://songbytoad.com/2007/04/23/alela-diane-the-pirates-gospel/
& http://muruch.blogspot.com/2007/12/alela-diane-pirates-gospel.html
& http://www.drownedinsound.com/articles/1306973
& http://www.spin.com/reviews/2006/12/0612_aleladiane/
& http://www.treblezine.com/reviews/1820.html
& http://www.obskure.com/fr/kro_model.php?n_kro=5278
& http://news.spotback.com/story/5547129/Alela_Diane_-_The_Pirates_Gospel_downloadHol
& http://www.cyclicdefrost.com/blog/?p=1566
& http://www.wirelessbollinger.com/general/insight/alela_diane_%96_on_her_pirate%92s_gospel/
& http://www.oystermag.com/index.php?option=com_content&task=view&id=357&Itemid=29
& http://www.nme.com/reviews/8344
French reviews : http://www.sefronia.com/album/The-pirate-s-gospel.html
& http://www.popnews.com/popnews/alela-diane/
& http://www.krinein.com/musique/diane-the-pirate-gospel-6656.html
& http://www.lesinrocks.com/?id=63&tx_critic[notule]=208029