Soft Hawk Prod.Pure Horsehair : Stray Songs (2001-2003) EP (US,2004)**'

Pure Horsehair is Garrett Devoe, voice and acoustic guitar with Shahzad Ismaily, (originating from Pakistan) electric guitar, voice, drums and melodica. Garrett Devoe / Pure Horsehair played shows with P.G.Six, Laura Veirs, Kimya Dawson, The Sweet Bleeders, Karl Blau, Hannah Marcus, Currituck Co., Richard Buckner, Samara Lubelski, Elysian Fields, Canyon,...

The duo presented themselves to me as a ‘primitive psychfolk’ duo from Greenpoint, Brooklyn, New York. These 7 tracks are compiled from early works and is in fact more a singer-songwriter related release, performed by a duo that neatly cooperate and contributes to what’s best for the songs. Only at first hearing, do these tracks sound -differently to primitive- or simple, but they aren’t. The songs have such a gentle, simple character and invite repeated listens before they reveal all details. I can’t say much about the songs themselves, because I’m not English, and I’m not able to show more attention to the words when the music itself works on its own, with every detail contributing, and the music does not require a more attentive listening to the words. Basically these are acoustic guitar songs, with well played guitar arrangements that benefit the song evolution. The first two tracks, “Red Night” and “The Hottest days of Summer”, are arranged with a second, amplified guitar. Third track, “Greener Pastures” is more psychedelic in a Timothy Leary meditative way, with handpercussion, a moody droney repetition, some backing vocals and sound effects, in a calm hypnotic way. “Heavy in the morning” is an instrumental played by rainpipe, tindrum, and bluesy guitars, with an instrumental group drive, and with a similar slow hypnotism, like mentioned in the previous track. Also “Beauty” has such smooth drumming with thumbpiano and some effects, and duo vocals. The concluding track, “The Fire next time” is a beautiful calm song with acoustic guitars and some violin arrangements. A nice CDR that deserves a proper release.
Ba Da Ding! Rec.Greg Weeks : Blood is trouble (UK,2004)****°

This is also a very personal document, with a powerful group sound as before, often more (art)-"rocking", with crafty arrangements and emotional strength in expression. The songs are heavily inspired by health problems. It reminds me of Demetrio Stratos' expressions, -he suffered from blood cancer- (I read somewhere diseases with blood often happen with people who suffer from a loss of a blood-deep relationship and since then distance themselves from that very essence, but I cannot be sure of that of course). Greg Weeks expresses the struggle itself too in order to overcome it. Musically all musical elements also have this strength in a well balanced way, making this album at least his best starter, if not his strongest release, if one can compare the different items.
Greg Weeks plays here electric and acoustic guitar, kora, Korg Synthesizer, Vox Organ, Arp Odyssey. He also took care of the complete production process, including the expressive collage and artwork (also on his website). Participating on this album are Margie Wienk (her solo releases were reviewed on next page) on cello, contrabass, voice, Jesse Sparhawk on bassguitar, Orion Regal Dommise on harmonium, Wurlitzer and Otto Hauser on drums.

Audio : "Day For Night", "Dusted" , "Violence Lake","Interchange"
More audio fragments : http://www.midheaven.com/artists/weeks.greg.html
Info : http://www.gregweeks.net/
Other reviews : http://www.pitchforkmedia.com/record-reviews/w/weeks_greg/blood-is-trouble.shtml
& http://www.othermusic.com/perl-bin/OM/CD_Show_Info.cgi?ID=3111957.91995&catalog_id=44102
& http://www.digitalisindustries.com/foxyd/gweeks_blood.html
His other releases are reviewed at http://psychedelicfolk.homestead.com/poor.html
Bella Union   Laura Veirs : Carbon Glacier (US,2004)***°

Having read so many positive things about this album, and having liked already much of the earlier Triumphs & Travails album (see review above) I was curious to know how much Laura had evolved. I must say here she really has moved forward towards songwriting perfection, and created something more focused and enduring in various ways. Here she plays guitar, banjo-uke, glockenspiel and whistles along on a few occasions to her songs, while Steve Moore plays piano, organs, vibraphonette, trombone, Karl Blau plays bass, guitar, synth and sax. Tucker Martine is responsible for drums, percussion and various treatments in the general production. Extra guests areEyvind Kang on viola, Lori Goldston on cello, Keith Lowe on upright bass, and some more backing vocalists. All themes hang well together (water, ice, snow). The concept is revealed with intelligence. Also the arrangements are great, based upon what the songs with guitar and voice are able to improve to complement to the maximum.

Audio : “Cloud Room”, "Rapture"(or here)
Real audio of all tracks : http://www.nonesuch.com/Hi_Band/albums.cfm?album_num=559
& http://www.hmv.co.uk/hmvweb/displayProductDetails.do?ctx=280%3B-1%3B-1%3B-1&sku=158538
Info with 4 audio tracks : http://www.nonesuch.com/Hi_Band/lauraveirs/
Small review with 4 audio tracks : http://www.boomkat.com/item.cfm?id=16050
Other reviews : http://www.pitchforkmedia.com/record-reviews/v/veirs_laura/carbon-glacier.shtml
http://www.moopy.co.uk/reviews/v/carbonglacier.shtml
& http://www.guardian.co.uk/arts/reviews/story/0%2C11712%2C1151670%2C00.html
& http://pasteradio.com/action/article?article_id=1365
French review : http://www.popnews.com/popnews/lauraveirs/
& http://www.routard.com/mag_musiques.asp?id_musique=325
Dutch review : http://www.muziekwereld.com/rec-laura_veirs.1.htm
& http://www.kindamuzik.net/reviews/twang/article.shtml?id=6059

(PS. About Lara Veirs : Various friends keep on saying hearing comparable elements to Suzan Vega).
© 2004 by John Engel, all rights reserved
Review page 15 for new Singer/Songwriters releases

Listed here are : Christina Carter, Laura Veirs (2 releases), jerseyturnpike / Supergrip
Catherine Feeney, Greg Weeks, Gloria Deluxe (2 reviews), The Secret Miracle Foundation
Pure Horsehair (2 reviews), Wand, Jamie Barnes
GO TO NEXT REVIEW PAGE->
or go back to singer/songwriters index
go back to general music index


KrankyChristina Carter : Living Contact (US,rec.1995-1998,re.2005)*°

This is a re-release of a previous limited CDR edition of 100, recorded between 1995-1998. Christina Carter is part of a duo Scorces with Heather Leigh, and of Charalambides, first as a duo, now as a trio with Tom Carter.

Two tracks of the CD, especially the first track, “Silouhette” is recorded SO quietly on the CD, that there’s almost nothing to hear, and I had to put the volume up much to hear anything. I wondered if this wasn’t an error, because the second track has a certain normal level again. On this particular solo release of Christina Carter I notice the slow evolutions of development coming from similar improvised modes to the Charalambides. All tracks stay in that improvisational mode and are really rough ideas, packed with so much fragility (including the two over-silent recordings) one can hardly notice what it’s all about.
We hear slow slightly repetitive extreme-minimal(ist) acoustic guitar fingerpicking evolutions with a down to the bone skeletal playing, which is almost scary and suicidal. “Body energy exchange” takes the minimal fingerpicking core to delve for new sounds and ideas, which still is more an improvised looking for ideas than really finding them, missing some self-assuredness to take just anything forward and perhaps also the discipline to do so. The edge between amateurish weakness and professional delicacy is kept so vague, one can hardly notice how many true ideas are behind this microscopic world. It is hardly noticeable if this is a delicacy of developed nonsense or whether it is ever surpassing this level. Perhaps the intention is just trying to work within this vulnerable world, and showing that aspect of the introverted shell, a kind of drone-mood spinning into this shpere but with nothing more to articulate.

Audio : "Silouhette (M3U)/(MP3)/(MP3)","Going Down (M3U)/MP3","Major"
Info on release : http://www.southern.com/southern/band/CARCH/KRK75.php
Review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=15561
Other reviews : http://www.foxydigitalis.com/foxyd/ccarter_contact.html
& http://www.fakejazz.com/reviews/2005/ccarter.shtml
& http://www.dustedmagazine.com/reviews/1817 & http://www.tonevendor.com/item/15806
Interview in Dutch : http://www.storing-zine.net/feature.php?id=25

Info on Christina Carter : http://www.kranky.net/artists/carterc.html
& http://www.southern.net/southern/band/CARCH/biog.php
Bella Union/     Laura Veirs : The Triumphs & Travails of Orphan Mae (US,2001)**°°
Raving Marching Band Rec.

While most attention to Laura Veirs goes automatically perhaps for more reasons to the bigger label release (on Nonesuch) I have the chance to hear this earlier, now reissued acoustic album.
With guitars, banjo, Wurlitzer, pump organ and a number of musicians (viola, bass, guitars, drums, violin, Casio, percussion and a field recording on some tracks) she expresses her reflective independent songs with a really pleasant voice. The songs I guess are all written on acoustic guitar or banjo, but are really nicely arranged with more variety. The production (Tucker Martine) and arrangements show eye for detail, and here and there have very original details or unusual instruments. Two to four out of ten tracks have a more Americana feel. A highly enjoyable album.

Audio : "Jailhouse Fire", "Johnny Henry lives","Black-Eyed Susan","Through December"
Homepage : http://www.lauraveirs.com/
Info (other release related) : http://www.bellaunion.com/laura.htm
& http://www.cdbaby.com/cd/veirs & http://www.billions.com/artists/lauraveirs/
Bio : http://www.nonesuch.com/hi_band/bio.cfm?artist_filename=veirs_laura.gif
Other intro : http://seattletimes.nwsource.com/html/artsentertainment/2002004709_nw15.html
& http://www.sacksco.com/roster/lauraveirs/lauraveirs_rls.html
Label's webpage : http://www.ravenmarchingband.com/
Nonesuch release (with audio) : http://www.nonesuch.com/Hi_Band/lauraveirs/
and with video : http://www.bellamedia.net/lv.mov
Interview : http://www.fearofspeed.net/lauraveirs.html
French interview : http://www.pinkushion.com/reportages.php3?id_article=685
Other reviews : http://www.planbmag.com/content/view/88/39/
& http://www.bbc.co.uk/music/folkcountry/reviews/lauraveirs_orphan_mae.shtml
Other review with 3 audio tracks : http://www.boomkat.com/item.cfm?id=16617
Live performance (audio) : http://www.kcrw.com/cgi-bin/ram_wrap.cgi?/mb/mb030417Laura_Veirs
Privatejerseyturnpike : permafrost (US,2004)****

San Fransisco based band jerseyturnpike has the core of a duo, with Carlo Dean, who is the main composer and who plays amplified guitar, adds a few high pitched sound touches on wine glasses or on snare, and with Dina Carpentino, who sings the songs with double-trackedharmony vocals. They invited guest musicians like Jessica Schaeffer on double-strung harp, who participates throughout the complete album, with improvisations mostly directly on the guitar pickings, but also some partial lead, like on "Pendulum" & "Sunder", and Greg Burns here and there on electric bass and pedal steel (on the last "song" with some backwards effects).
This terrific, well hung together début features 6 songs mixed with 6 improvisations which are followed each time after the songs. The album gives a feeling of being recorded in one, well prepared, take. Recommended.

PS. Dina Carpentino also produces experimental electro-acoustic music under the pseudonym of Supergrip. Carlo Dean performed before with some jazz musicians like Clark Terry and Al Grey. As composer he wrote for chamber groups to orchestra, filmscores for Nirvan Mullick and for Jim McHahon, and he also has some choreography credits. Review of Supergrip further down.

Audio : "Permafrost","Concrete","Pendulum"(or here),"Grey","Balance" ; ("Retrograde" -demo version-)
Homepage : http://www.jerseyturnpikemusic.com/
Info with audio : http://www.cdbaby.com/cd/jerseyturnpike
Other reviews : http://www.splendidezine.com/review.html?reviewid=11032814306610
& http://www.shzine.com/reviews-2004.asp
& http://www.cdreviews.com/index.php?option=content&task=view&id=144&Itemid=27
French review : http://www.derives.net/reviews/review.php?id=612
Carlo Dean's homepage : www.carlodean.com
Supergrip's homepage : www.supergripmusic.com
Private   Catherine Feeney (US,2003)***'

Philadelphia born Catherine Feeney was located a while around the Los Angeles area, but now lives in the UK. Without the printed texts it’s hard for me to say much about them. I can only say I hear a very enjoyable slightly melancholy voice with heartfelt honesty, somewhat (Americana-)bluesy, and with inspirational simple expressions. The songs are mostly accompanied by rhythm guitar, and occasional second guitar, additional or lead piano, banjo, or an additional pedal steel guitar, ..minimal but expressive. “Maggie” might remind some people of an acoustic Suzanne Vega, but I prefer not to compare her to anyone too much.

Audio : "Beltloops & Bluejeans", "Maggie", "Unsteady Ground", "Cold Mountain", "I Come Home",
"New York in the 70s".
Info : http://www.catherinefeeny.com/ & http://www.cdbaby.com/cd/feeny
& http://www.boogietownagency.be/feeny.html
PrivateGloria Deluxe : Alas Alack (US,2002)**
PrivateGloria Deluxe : Accidental Nostalgia (US,2004)*°°

Stylistically “Alas Alack” was a bit difficult me for me to describe. This album leans to Americana without being it. It is hanging close to the wordy expressions of singer-songwriters, accompanied by a band, with Cynthia Hopkins, leading the project, vocals, accordion, electric guitar, half-size nylon guitar, and with Philippa Thompson accompanying with violin and some clarinet, plus Chris Bonner, bass guitar and drums.

On “Accidental Nostalgia” this group sound has a bit more arrangement and improvisation, also with more people participating, becoming more focused as a Chamber Music Band, and also working on more levels. This makes it for me more musically interesting, and more suitable for my radioshow perspectives. Live on Rhode Island this theatre-like project was supported by The Eyesores. Also the singing is a step toward 'theatre', which I think is a very good, and expressive progression.
The concept of “Accidental Nostalgia” goes deeper into a complex psychology related drama, and was also presented in theatre as a kind of operetta mixed with a theatre project. It deals with amnesia caused by some experience in the past which didn’t fit in with the person’s development.

Audio from "Accidental Nostalgia" : "Swarm of Bees"
Audio from the "Accidental Nostalgia" EP :
"(Always) the Same", "If You're Going Through Hell Keep Going", "If I Let It (Go By)","Accidental Nostalgia","Cover Me With Your Darkness","Peel Away the Layers"
Info : http://www.gloriadeluxe.com

About 'Alas Alack' : http://www.gloriadeluxe.com/albums/alasalack/index.html

About the operetta "Accidental Nostalgia' : http://www.gloriadeluxe.com/albums/accidentalnostalgia/index.html
Reviews : http://www.artsatstanns.org/currseas_CH_print.html
& http://www.culturebot.org/archives/2004/03/23/AccidentalCynthia.php
Interview : http://www.ontheboards.org/index.php?art=54&ev=79&id=12&nav=c3

Info on Cynthia Hopkins in pdf format here

Other chamber music related theatre concepts I listed on http://progressive.homestead.com/prog8.html
Soft Hawk Prod.Pure Horsehair : Poison with Rainbows : songs from the Canico Sea (US,2005)**°

This latest release of Pure Horsehair sounds even more like a professional big label release. The cooperation of both guitarists to arrange the music, achieved a very attractive result, with the help of a few more instruments like electric guitar, melodica, accordion, bass, percussion, glockenspiel and lap steel guitar. People impressed by Gravenhurst, Curritcuck Co. or similar artists should check these artists out too. I listened again and again, but it remains hard for me to say much about the songs. They sound somehow recognisable, but at the same time have a very rich and warm sound thanks to the perfect arrangements, and, like the earlier release, just ask for repeated listen. The only instrumental is “Geronimo” with percussion, gongs, accordion and the Canico sea. The most "normal" track is "Mama did that" with a blues rhythm. And I seem to enjoy it more too with each listen. Recommended !

Info : http://www.purehorsehair.com ; Contact : Garrett Devoe
Biography : http://www.purehorsehair.com/hear/purehorsehairbiography.html
Older recordings from Garrett Devoe (with audio files) : (listen to full release ;)
http://www.audiolunchbox.com/album?a=19842 (or download / listen to 2 tracks) :
http://uk.towerrecords.com/product.aspx?from1=CJUK&AID=10273879&PID=500110&pfid=2826097 &
http://www.purehorsehair.com/hear/mumblypegalbuminfo.html










Backwater Rec.Wand : When summer comes / Behind the veil -single- (UK,1993)**°

Wand is a talented singer-songwriter. I like the way he added a delicate combination of acoustic fingerpicking guitar with mellotron-like arrangements of flute and some cello on his slightly whispery and breathy vocals on “Behind the veil”. “When summer comes” has a more energetic, and very nice combination of accompaniment of Indian flavoured melody with flute, tabla, and acoustic guitars.. A promising approach for his songs for a future full CD ?

Info : http://www.backwaterrecords.com/artist_detail.php?ArtistID=10
Label entry : http://www.backwaterrecords.com/product_detail.php?ProductRef=SUF006&ArtistID=10
Silber Rec.Jamie Barnes : Honey from the Ribcage (US,2005)***°'

Here Jamie Barnes comes really close in vocal style to Rivulets. It’s a beautiful and sad voice, with its innocence and loneliness. He accompanies his music with acoustic guitar, keyboards, glockenspiel, melodica, sitar, tabla, ocarina, music box, drums, with the music giving the songs an extra delicate sweetness. On “White Owl” Will Cummins plays E-bow guitar. A part of the sadness, if I can dig it out well, comes forth from “a black lung”, the wrong medicine and the memory loss it caused and all struggles that came with it. Never the less the singing is from a calm perspective, and the voice itself is detached with clarity. A beautiful document.

Audio : "Snow Angel", "Pearly Gate & Son Pest Control", "Three Suns"
Intro : http://www.silbermedia.com/jamiebarnes/
Info : http://www.silbermedia.com/presstools/silber036.pdf
Homepage : http://www.jamiebarnes.net/ & http://www.myspace.com/jamiebarnes

Older release was reviewed on http://singersong.homestead.com/newwriters-2.html
State of Distress Rec.   Supergrip : Songs from a metal can (US,2005)***°

This is a solo project from Dina Carpenito from the duo ‘jerseyturnpike’ with Carlo Dean, recorded during a few months stay in the sleepy cocoon town of New England, wondering on other places and longings. The music is played by amplified guitar, with dreamy meanderings of soft arrangements (electric piano and other keyboards, desktop arrangements of quiet percussion and a few filmic chamber arrangements) always with moody voice whispers or some vocal mourning. (After some silence there’s also a hidden track called “Birthday”). A perfect album to dream on by, watching the dew on grass in the park or elsewhere or far-away-skies, or to cuddle memories of past situations.

Homepage : http://www.supergripmusic.com/
info album : http://www.stateofdistress.com/
Audio : "Perigrination","I have almost forgotten", "The Bay (softer)"
Locust Music   The Secret Miracle Fountain (US,2006)***°

review will be added here or at the psychfolkpop pages soon